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  • Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery in Sápmi – Becoming a Nation at The Arctic University Museum of Norway 

    Stien, Hanne Hammer (Chapter; Bokkapittel, 2021)
    The point of departure for this essay is a series of eleven contemporary photographic portraits of Sámi people in large formats presented in the exhibition Sápmi – Becoming a Nation (2000-) at the Arctic University Museum of Norway, in Tromsø.1 The photographs were commissioned by the curators, and they were shot by documentary photographer, photojournalist, and filmmaker Harry Johansen (b. 1958). ...
  • Perception and appreciation of plant biodiversity among experts and laypeople 

    Breitschopf, Eva; Bråthen, Kari Anne (Journal article; Tidsskriftartikkel; Peer reviewed, 2023-02-06)
    <p>1. Plant biodiversity, which is fundamental for the delivery of ecosystem services, is in decline. Yet, knowledge about how plant biodiversity is perceived and appreciated is scarce. <p>2. We studied biologists' and laypeople's perception and appreciation for plant communities that differ in plant biodiversity,using ranges of plant biodiversity known to affect ecosystem services. We investigate ...
  • Fremstillinger av kjønn i utstillingen "Flytende russisk" 

    Stien, Hanne Hammer (Chapter; Bokkapittel, 2018)
    Fotografier er den typen gjenstander som de kulturhistoriske museene samler mest av (Johansen 2012). I tillegg til innsamling a fotografier inngår mange ulike fotografiske praksiser i museenes primære virksomhet, så som fotodokumentasjon og bruk av fotografi i utstillings- og formidlingssammenheng (Stien 2017, 16). Selv om den fotografiske virksomheten til museene er sammensatt og griper inn i andre ...
  • The Sámi Museum in Karasjok: A Story of Resistance 

    Hansen, Hanna Horsberg (Chapter; Bokkapittel, 2022-08-15)
    In Karasjok, on the Norwegian side of Sápmi, there is a cultural-historical museum, Sámiid Vuorká-Dávvirat (SVD) (The Sámi Museum), and an art collection comprising 1,400 works of art. The museum building was completed in 1972. Different ideas for an art museum in connection to the SVD building have existed since the 1980s, but for various reasons no plans for an art museum have so far come to ...
  • Materialfølelse og virkekraft 

    Stien, Hanne Hammer (Chapter; Bokkapittel, 2022)
  • Shifting coasts: developing new coastal concepts 

    Tynan, Eimear Mairéad (Journal article; Tidsskriftartikkel; Peer reviewed, 2022)
    Coastal environments are closely under the radar of the impact of climate change. Approximately 680 million people live in low-lying coastal zones according to the most recent Intergovernmental Panel on Climate Change (IPCC) report from 2019.1 The report presents key threats to coastal environments that include permanent submergence, more frequent and intense flooding, loss and change of ...
  • On Crits and Games—and Crits as Games 

    Kim, Jeuno JE; Storihle, Sille (Journal article; Tidsskriftartikkel; Peer reviewed, 2022)
    A conversation between artist and educator Sille Storihle and the Krabstadt Education Center (KEC) about overlapping interests in educational models and games. Issues discussed are the role of games in education, experiences with the format of the group crit, and the question whether it is still a solid component of arts education or how it could be deployed differently. Storihle shares their work ...
  • Dagliglivsfotografier og verdensgjøring i Inuuteq Storchs Porcelain Souls 

    Stien, Hanne Hammer (Journal article; Tidsskriftartikkel; Peer reviewed, 2022-09-15)
    Inuuteq Storchs fotobok Porcelain Souls (2018) baserer seg på hans foreldres dagliglivsfotografier fra Kalaallit Nunaat (Grønland) mellom slutten av 1960- og begynnelsen av 1980-tallet. Artikkelen beskriver motivene og montasjene i fotoboken og spør på bakgrunn av nymaterialistisk teori hvordan fotografiene skaper en grønlandsk verden innenfra. Videre argumenter artikkelen for at fotoboken på en ...
  • Humanly modified ground and time-based aesthetics 

    Clemmensen, Thomas Juel (Journal article; Tidsskriftartikkel; Peer reviewed, 2022-08-19)
    The Anthropocene not only questions perceptions of nature, but also inspires us to expand and rethink the aesthetic repertoire of landscape architecture. This article discusses process aesthetics, or time-based aesthetics, in relation to humanly modified ground, particularly the role of erosion and sedimentation. The discussion is centred around a study of the Port of Aarhus in Denmark. The study ...
  • Repetition and Difference: Tromsø Academy of Contemporary Art and Creative Writing 10 years 

    Hansen, Hanna Horsberg (Chapter; Bokkapittel, 2017)
    In 2007, Tromsø Art Academy accepted its first students in the BA program in the art department at Tromsø University College (Høgskolen i Tromsø, HiTø). Much has happened since then: Tromsø University College has become part of the University of Tromsø (UiT) - The Arctic University of Norway; and the Academy has added a division of creative writing, as well as a complete curriculum offering the BA, ...
  • Fotografier i Emilie Demant Hatts bok Med Lapperne i Højfjeldet: Fotografiske møter, biografiske inskripsjoner og "våre" historier 

    Hansen, Hanna Horsberg (Journal article; Tidsskriftartikkel; Peer reviewed, 2022-09-15)
    Artikkelen utforsker fotografier tatt av den danske kunstneren, fotografen og forfatteren Emilie Demant Hatt (1873–1958). Fotografiene ble første gang publisert i 1913 i boka Med lapperne i højfjeldet. Gjennom ulike perspektiver på bildene viser artikkelen hvordan det er mulig å se forbi den koloniale «overflaten» til bilder tatt av denne periodens reisende og etnografer, og hvordan repatriering ...
  • Exercises in intra-acting: A zone of potential And an exercise about not dropping out. ‘Tape yourself to a green chair.’ 

    Junttila, Kristina (Journal article; Tidsskriftartikkel; Peer reviewed, 2020-12-15)
    This article is about the participatory performance event <i>Speak for yourself (Snakk for deg sjøl)</i> performed mainly for teenagers at schools through the Norwegian Cultural Schoolbag program (<i>Den kulturelle skolesekken</i>), but also for an open audience at Hålogaland Theatre and the Arctic Arts Festival. The center of the discussion concerns <i>what</i> has agency to initiate various ways ...
  • Riksväg 25, delat samhälle innebär en gemensam skuld. Hur vi tänkte och med vad? 

    Torell, Lisa (Journal article; Tidsskriftartikkel; Peer reviewed, 2018-02-13)
    På platser runt Hovmanstorp i Småland, fortsätter Palettens serie med verkberättelser i egna ord, med att Lisa Torell skriver med egna ord om sitt och Johanna Gustafsson Fürsts verk "Riksväg 25, delat samhälle innebär en gemensam skuld". Erfarenheten av arbete på (en) plats i ett lokalt geografiskt sammanhang ger ett slags kunskapsnärvaro eller improvisationskunskap. Kompetensslumpen, kallar Torell ...
  • Constructing Sami National Heritage: Encounters Between Tradition and Modernity in Sami Art 

    Hansen, Hanna Horsberg (Journal article; Tidsskriftartikkel; Peer reviewed, 2016-08-15)
    <br>The article explores the construction of Sami national heritage taking works from a touring exhibition, Gierdu, as the object for exploration. The exhibition opened in 2009 displaying 27 artworks from the art collection at RiddoDuottarMuseat in Karasjok in Norway. The exploration is contextualised as an understanding of heritage, tradition and modernity as dynamic concepts dealing with how we ...
  • Sami Artist Group 1978-1983: Otherness or Avant-Garde? 

    Hansen, Hanna Horsberg (Chapter; Bokkapittel, 2014)
  • Beauty and Truth: Dialogues between Sami art and art historical research 

    Hansen, Hanna Horsberg (Chapter; Bokkapittel, 2014)